Yayoi Kusama has been called the “Priestess of Polka Dots”. And a few hours gazing at her creations is certainly enough to send you happily polka dotty. The Japanese octogenarian’s most recent Brisbane exhibition, which I just managed to catch before it wrapped up at the Gallery of Modern Art earlier this month didn’t disappoint in the dot department. Spots of all hues camouflaged sculptures, paintings of pumpkins, Picasso-like portraits, lighted and dark kaleidoscopic mirrored infinity installations, all creating a sense of collaboration with kids, Indigenous artists and the avant-garde art world. A visual blitzkrieg.
Kusama’s dot fetish was said to derive from an early childhood illness with hallucinations impairing her sight with dots in front of the eyes. Another of her themes is the concept of infinity which she represents not only through mirrored installations but infinity “net” paintings of endless interlinked patterns. The artist said this fascination was a result of looking down at the endlessness of the Pacific Ocean on her 1950’s flight from Japan to New York, where she became a leading art scene member. Pumpkins? She likes their shape, their “grotesqueness” and their “homeliness”.
Yayoi Kusama’s dotty interpretations of Marilyn Monroe (left) and Elizabeth Taylor.
Mirrored infinity room installations.
It was Kusama’s third Queensland Art Gallery-GOMA outing, the first being at the Asia Pacific Triennial in 2002 when she especially wowed the kids with her “obliteration room”. Imagine being a kid walking into a room painted completely white and being invited to stick coloured dots wherever you like to your heart’s content! The relationship between QAGOMA and Kusama nurtured through the Triennial was rewarded with another exhibition in 2012; the 2017-18 show Life is the Heart of the Rainbow; and major acquisitions making the Gallery’s collection one of the most significant in a public museum outside Japan.